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Mixed media pencil, black fine-liner and watercolour paint. Final edit on photoshop. |
Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts
Sunday, 13 January 2013
The Social Gathering
Labels:
Antlers,
butterfly,
drawing,
event,
Foo Dog,
horn boy,
illustration,
light house,
Ocean,
orangutan,
sailing,
sea,
social gathering,
third year,
Thumberlina,
tortoise-shell hare,
uni,
waves
How to Write a Book in 30 Days
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Mixed media pencil and black fine-liner edited on photoshop. |
This is the final editorial piece for my contemporary illustration unit. The brief was given in the form of an email; similar to one that might be received from an agent. The task was to create a cover for the supplement, How to Write a Book in 30 Days, within The Literary Review magazine.
The supplement describes a structured method for writing a book, aiming to encourage readers to become writers. Inspired by the step-by-step element of the supplement, I began to think about how one idea has the potential to evolve into a story, which can be signified through an acorn growing into a great oak tree. Putting my own spin on this idea, I transformed the trunk of the tree into a pencil. I am very happy with the hand-rendered text, something I have struggled with in the past, which adds interest and a playful element to the illustration. To improve this design I would add a subtle background colour to enhance the detail and remove the unnecessary black outline from the words in 30 days.
Tuesday, 16 October 2012
Why Small Victories Matter
This editorial illustration is for an article taken from the Guardian on Why Small Victories Matter. The article is based on the idea that you gain greater success and happiness working towards smaller achievable targets rather than one larger target. The comparatively small size of the central target-coloured duck illustrates this idea. The idea of hook-the-duck derived from the key words small victories which in turn led to the idea of fareground games which involve targets.
Labels:
animals,
drawing,
ducks,
editorial,
hook-the-duck,
targets,
the Guardian,
uni
Tuesday, 9 October 2012
How to Decorate
This illustration is an editorial piece for an article taken from the Guardian called 'How to...Decorate.' The basis of the article is the idea that humans have an instinct for external decoration, with appearance being viewed as more important than character. Inspired by the reference to peacocks in the article, I based the henna pattern around peacock feathers, the henna itself conveying our innate need for personal decoration. Experimenting with colour for the background, I liked the contrast between the red henna and blue background, however in context I feel the hands look more striking against a white background.
Labels:
decorate,
drawing,
editorial,
feather,
hands,
henna,
illustration,
pattern,
peacock,
the Guardian,
third year,
uni
Thursday, 27 September 2012
Oceana
This character was inspired by Ian Macarthur's highly detailed, intricate illustrations. Influenced by his choice of mixed-media, I similarly created this illustration using pencil, pigment pen and watercolour paints. The stern expression, strong stance and vivacious splash of colour convey Oceana's powerful, wilful, spirited personality.
Labels:
anchor,
character design,
drawing,
illustration,
Ocean,
Oceana,
ship,
splash,
summer work,
uni,
waves
Antlers
This graphite-on-paper drawing was inspired by the amazing Shaun Tan's illustrations. I feel I have successfully conveyed the personality and emotion of this character through his expression and body language. Overall I am pleased with the final illustration of this timid, shy, endearing antler-boy, who is my favourite character out of the seven.
Labels:
Antlers,
Boy,
character design,
drawing,
illustration,
Shy,
summer work,
Timid,
tonal,
uni
Thumberlina
I created this character on a piece of wood using black fine-liner and chalk, inspired by Audrey Kawasaki's beautiful, evocative wood-based paintings. This character is influenced by Hans Christian Anderson's fairytale Thumbelina, as seen through the lily pad and petal dress. I like how Thumbelina's simplified style contrasts with my other more detailed characters.
Wednesday, 26 September 2012
Tortoise-shell hare
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Graphite on paper |
Tuesday, 14 August 2012
Second Year Art Book
Friday, 27 July 2012
Art, Craft and Flower Festival
I displayed these two pieces, as well as The Illustrator as a Phoenix and my Cat and Dog illustration for a children's book cover in my local Art, Craft and Flower Festival and received great feedback from visitors to the exhibition.
Branches
Beginnings of a drawing I started during the summer. The Deer's antlers are tree branches, inspired by a postcard my cousin Charlotte sent me when she was travelling in Indian of Tribal Art.
More Pet Problems
Pet Problems
Thursday, 26 July 2012
If We Could See Secrets
For an illustration brief at University, I was given the character Physiologist and the theme of construction with the challenge being to create an illustration for a visually sophisticated audience, based on the character having a 'secret' connected to the theme. I devised the idea of a Psychologist holding the secrets to how the mind is constructed. Mixed-media pencil, fine-liner, and Photoshop illustration which incorporates MRI scans of both normal and abnormal brains.
Harrison Bergeron
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Mixed-media: fine-liner, white pen and Photoshop |
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Mixed-media: fine-liner, white pen and string |
Front cover and double-page spread illustrations for the short story Harrison Bergeron by Kurt Vonnegut, a story based on government control and the power of television in a future where intelligence and beauty is handicapped. Sophisticated adult audience.
Nineteen plus One
Nineteen plus One, 19 snakes and One charmer. Sophisticated adult audience, produced using fine-liner pen, green and orange ink and Photoshop. Inspired by Indian and Southern Asian Naga, Celtic Knots and kaleidoscopes.
Mythological Characters
The theme was 'The Illustrator As A ...' The university project was to produce a Facing Page illustration to be featured in the Association of Illustrator's magazine 'Varoom!' as a newly discovered illustrator. The idea I chose was 'The Illustrator As A... Phoenix' and began by researching mythological creatures.
Cat and Dog Children's Book Cover
Cat and dog book cover illustration aimed at children aged 5-8years. Mixed-media colouring pencil, watercolour paints and chalk.
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